Fonda still the 'Easy Rider'
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| "I'm a lucky actor," he said, and a quick look at his Internet Movie Database page bears that out. Fonda, who turns 70 next month, has four films listed for 2010 that are in preproduction or post-production. But on this day, our conversation was focused on perhaps his most famous movie, 1969's "Easy Rider," which is being screened in multiple showings this weekend at the Hollywood Blvd. Cinema in Woodridge and the Hollywood Palms Cinema in Naperville. Fonda is flying into town to introduce the movie at each screening and field questions from the audience. On the phone he proved to be an affable conversationalist. He is a '60s renegade not afraid to use a corny word like "jeepers," and he displayed a ripe sense of humor about some of his younger antics — he once attended a press tour barefoot (although the suit was bespoke and the tie Hermes). No doubt he has told stories about the making of "Easy Rider" countless times, but there was nothing weary or rote about his anecdotes. Some 40 years after the fact, the film still has a hold on his imagination. The beginning: During a 1967 visit to Toronto promoting his role in Roger Corman's "The Trip," Fonda retired to his motel room ("which was pretty seedy") to sign publicity stills from "The Trip" and his previous film "Wild Angels." "I came across an 8-by-10 of me and Bruce Dern, and in the middle of it Dernsy and I are on my motorcycle from 'Wild Angels,' and we were backlit in profile, just a total silhouette of two guys on a motorcycle. "And suddenly it came smashing into my mind: That's it. It's not about 100 Hells Angels on their way to a Hells Angel funeral; it's about two guys riding across John Ford's West and they're going to Florida to retire. And I started making the story up, and I started with the ending and worked my way back." "This'll shake the cage," is what Fonda remembers thinking. "When I fleshed it out a little more I called Hoppy" — that would be Dennis Hopper — "and I told him the story and he said, 'Man, this is great, what do you want to do with it?' And I said, 'You direct, I produce, we'll both write and act in it to save money.'" Fonda was 28 when they made the film, with a shooting budget of $252,000. The music: "Dennis chose all the music, and I thought it was a bit of genius," Fonda said. "It was both of our record collections. Not only were they great tunes, but it was traveling music. It wasn't abstract music over a scene. The lyrics were specifically commenting on each scene." |
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